Flaming Pope

I’m at the Cassini Project Science Group meeting in Pasadena this week, so my morning hotel routine involves motel buffet breakfast in the room in front of the morning news. At 7:00 a.m. I started with CBS’s “The Early Show”. In their lead-in to the morning’s news, they made a big deal about a picture of a fire where the shape of the flame bears a zeroth order resemblance to blob with a pointy thing at the top and a pointy thing at the side that some people have decided looks like former Pope John Paul II with a pointy hat and a pointy finger blessing someone. The anchors were quite excited at this amazing occurrence, so I promptly changed the channel to “The Today Show” on NBC where I was treated to the exact same nonsense. This is not only not news, it’s not anything. This was taken from video meaning either 30 frames of footage per second (NTSC) or 25 (Pal/SECAM), so if someone filmed this fire for even only one minute, there are over 1500 pictures of fire to choose from, and probably many more. I’m more surprised they couldn’t come up with a frame that showed a stronger resemblance to something.

I mentioned the upcoming insult to the state of the civilization with NBC’s “Phenomenon” earlier, but Lifetime apparently beat them to the punch. Check out the Skepchick’s hilarious review of their psychic show.

The Story of Iapetus’s Spots

At this week’s annual meeting of the Division of Planetary Sciences of the American Astronomical Society in Orlando, a special session was devoted to Saturn’s moon Iapetus and its dramatic terrain marked by an equatorial mountain ridge and alternating regions of bright white ice and carbon black. It has long been thought that the explanation for the dark material covering roughly half of Iapetus is that dust knocked off more distant moons of Saturn is swept up by Iapetus as it orbits Saturn. One problem with this hypothesis, though, is that the distribution of dark material does not cover just the leading hemisphere of the moon. The pattern looks more like that of a baseball, with the bright water ice wrapping around the poles and the dark carbon-rich material wrapping around the equator.

Image of Iapetus from Cassini
Image Credit: NASA/JPL/SSI. Click the image for image details.

John Spencer, a scientist on the Cassini Infrared Spectrometer (CIRS), and colleagues have developed a thermal segregation model that nicely explains the dark/bright pattern on Iapetus. In a nutshell, the idea is that you start by having Iapetus plow through the dark dust migrating inward from the dark outer moons and coating the leading hemisphere of Iapetus. The dark terrain gets hotter than the clean bright water ice because it absorbs more radiation from the Sun, just as dark asphalt gets hotter than concrete. Because it is warmer, water ice underneath that dark material evaporates through the thin coating of dust and recondenses on cooler parts of the moon. This transports ice to cold areas which are shielded from the incoming dust and keeps them very bright and removes bright ice from areas that have been darkened by dust. The result is the dramatic black and white landscape seen in the most recent pictures returned by Cassini. Cold, bright areas collect bright water ice from the warm, dark areas, and dark areas lose water ice to the bright areas. There are, therefore, no shades of gray.

Iapetus
Image Credit: NASA/JPL/SSI. Click the image for the full resolution image and caption.

Iapetus
Image Credit: NASA/JPL/SSI. Click the image for the full resolution image and caption.

One of the cool things about the thermal segregation model described above is that it can be simulated on a computer and the migration of bright material can be visualized. Starting with an assumed initial distribution of dust on the moon, Spencer calculates that it would take about 100 million years for the surface to get to its current distribution of bright and dark terrain. If more time passes, the dark area spreads further than is observed. This age is probably related to the rate at which meteoroids “garden” the surface of Iapetus by punching through the thin (< 1 meter) layer of dark material and mixing it in with ice underneath. So the distribution of the bright and dark terrain give a clock that helps us also understand the cratering history of Iapetus.

There remains a puzzle about getting the dark material to Iapetus in the right amounts from the outer irregular moons of Saturn. These moons, such as Phoebe, are presumed to be captured by Saturn rather than having formed with Saturn, like Iapetus did. They may have formed further from the Sun where the composition had a greater proportion of carbon-rich compounds leading to their darker color.

Unreality Show

The warm glow I felt after watching the latest episode of my favorite TV show, The Office, was quickly extinguished by an ad for a new TV show on NBC that would, if I were a man of principle, make me boycott the network. Billed as a reality show, “Phenomenon” is co-hosted by charlatan Uri Geller who will judge contestants’ magic tricks. Not having seen the show, I will reserve judgment on just how misleading and misguided the show is. According to tvweek.com, the co-host Criss Angel, a traditional magician “will lend a more skeptical voice to the proceedings.” But also according to tvweek, NBC will both invite viewers to figure out how tricks are accomplished and figure out “whether any of the mentalists might have actual psychic talent.” Groan.

Across the Universe

I loved this movie. I haven’t seen a movie I loved this much in a long time. It is a magical piece of filmmaking. Director Julie Taymor tells a story of love and war, perfectly intertwining songs by the Beatles into a visually rich tapestry. To say it is a musical with Beatles songs risks making it sound smaller or like less of a work of art than it is. Which is not to imply that the music is not a huge part of what makes this movie so special. From T. V. Carpio‘s hauntingly lovelorn rendition of “I Want to Hold Your Hand” to race riots over “Let It Be” to the uplifting “Hey Jude”, the music of the Beatles is an integral part of the tapestry that Taymor has created.

Jim Sturgess plays Jude from Liverpool, England, who leaves home to find his G.I. father in America. There he falls in with Max (Joe Anderson), the misfit son of a wealthy family and the brother of Lucy (Evan Rachel Wood). The social upheaval of the sixties swirls around and engulfs Jude, Max, and Lucy. Lucy becomes a passionate protester of the Vietnam war and Jude discovers his talents as an artist while they share an apartment in New York with Sadie (Dana Fuchs), who belts out songs such as “Why Don’t We Do It in the Road” and “Helter Skelter” with her band. To say more about the story doesn’t serve the movie, which creates an atmosphere with its songs, choreography, and cinematic composition while telling the stories of Max, Jude, and Lucy. There are a lot of good movies coming out this time of year, but the next one I want to see is this one again.

Although it feels like any attempt to describe this movie will diminish it, that is only because for me it is a work of art, and my hastily composed review will not be able to do it justice. Superficially one can compare it to Hair for its pop-music soundtrack and Vietnam backdrop, and to Moulin Rouge for its musical love story and colorful cinematography, but it is its own unique creation. Sturgess, who at times evokes the young Paul McCartney with his Liverpool accent and boyish features, gives a simple and touching performance, as does Evan Rachel Wood. The actors sing their own songs, frequently bringing a totally new emotional quality to them. Let it Be brought tears to my eyes, and Hey Jude gave me goosebumps. This is a movie that deserves to be seen, and should be seen on the big screen for the greatest impact. But I will definitely be buying the DVD.

Dawn En Route to Vesta and Ceres

The Dawn spacecraft successfully launched yesterday en route to two of the largest asteroids in the solar system. Ceres, the largest asteroid and now termed a “dwarf planet”, like Pluto, under the new IAU nomenclature, has one-quarter the mass of the entire asteroid belt. Dawn’s other target, Vesta, is a bit smaller It will first visit Vesta, arriving there in September 2011 and orbiting along with it for about 6 months before using its low-thrust ion propulsion system to put it on a rendezvous course for Ceres with a February 2015 arrival.

Asteroids are interesting objects because they are leftover building blocks from the era of planet formation. Those objects, called planetesimals, ended up becoming part of a planet or an asteroid if they had rocky composition or a comet if they were primarily icy. That is, comets and asteroids are both leftover planetesimals that didn’t make it into a planet due to the whims of dynamics over the past 4.5 billion years or so. Of course, every now and then, an asteroid or comet takes the plunge into a planet, such as the Shoemaker-Levy 9 comet impact into Jupiter in 1994 or the infamous asteroid that struck the Yucatan peninsula 65 million years ago, beginning a really bad year for a lot of species. Dawn will give us a look at two of the largest of these leftover planetesimals. Both Vesta and Ceres are large enough to be differentiated, meaning that the dense metals have sunk to the center (like on the Earth and other planets). Interestingly, we actually have samples of Vesta here on the Earth. Vesta’s basaltic (lava-like) crust has a recognizable and distinct spectrum that matches certain classes of meteorites. Just as some meteorites are fragments of the planet Mars, identified by the relative abundances of isotopes of gases characteristic of Mars’ atmosphere, certain meteorites can be traced to Vesta by their spectra. Dawn is basically a mission of exploration to learn as much as possible about these two protoplanets, hopefully providing clues to the conditions at the dawn of the solar system in the process.

Florida’s Primary Games

Our new state has confirmed its decision to hold its presidential primary election on January 29, 2008. Aside from the inevitable presidential campaign fatigue that the accelerated primary schedule is forcing on us, the primary problem with this schedule is that it violates the rules of the Democratic National Party and thus appears to prohibit Florida from having any delegates at the national convention next summer. Candidates have promised not to campaign in Florida because of the rules violation (the rule required Florida hold its primary February 5 or later, so for some reason Florida has decided one week was too much). One possible explanation for this ridiculous turn of events is that the Republican-led state legislature forced the early schedule to allow GOP candidates more face-time with Florida voters than the Dems, thus perhaps giving them an edge in the general election. However, the Dems in the state legislature have generally gone along with the plan to schedule the election early. Personally I would rather not have any primaries anywhere before March. I think we’re going to be sick of our next president from overexposure before he or she even takes office.

Moliere

This lighthearted romp imagines an episode in the life of the French playwright and actor Moliere that serves as inspiration for many of his later plays. Familiarity with his plays would have added an extra layer of appreciation for the movie (so I gathered from Anne-Marie’s reaction), but even being woefully ignorant of his works, the movie is still quite enjoyable. Moliere is plagued by a simultaneous gift and scorn for farce. He yearns to produce serious theater but is absolutely terrible at it. He learns, through his extended stay at the manor of a wealthy aristocrat, that comedy can be used to explore human truths just as well. Moliere, played by Romain Duris, is employed by Monsieur Jourdain to train him to act so that he can impress a young widowed Countess with whom he is besotted. Jourdain is buffoonish and deluded by his own dreams of impressing the pretty Countess even though she is snobbish and unappealing and his own wife is both beautiful and interesting. Moliere lives in their mansion pretending to be a priest educating Jourdain’s daughter so as not to arouse the suspicions of Madame Jourdain. He arouses something else entirely. The framework for a farce is thus built into this episode of Moliere’s life, and in the imagination of the screenwriters Laurent Tirard and Gregoire Vigneron, the storey of Jourdain’s rehabilitation inspires Moliere’s later plays.

Another Great Shot of Iapetus

Here’s another stunning picture of the bright-dark terrain boundary on Iapetus. Prior to this encounter, we only had a distant global view of the satellite showing the leading hemisphere (in its orbital motion around Saturn) to be quite dark and the trailing hemisphere to be mostly bright (like most icy moons at Saturn). These new images show black deposits near the boundary that should help us uncover the origin of this material. Click the picture to go to the full resolution image and caption.

Iapetus dark/bright boundary
Image credit: NASA/JPL/Space Science Institute