Archive for September, 2009

The Informant!

Sunday, September 27th, 2009

Thanks to Steven Soderbergh’s latest movie, I get to have a blog post with an exclamation point in the title. So there (which is how the opening title screen defends the liberties taken with the true story of corporate whistleblower Mark Whitacre). It is an overstated way to set the overstated tone of this movie that is a dark comedy dressed in bright colors and cheerful music. Although the events of the movie transpire in the mid-1990’s, Soderbergh uses a palette of yellows and oranges and suppresses the color vibrancy to make it look not only like it is set in the 60’s, but like it was filmed then too. Even the titles look like they were borrowed from Ang Lee’s Taking Woodstock.

Mark Whitacre (link has spoilers) is a Vice President at Archer Daniels Midland (ADM), a corporation whose primary function appears to be the manipulation of the corn market and ensuring that its derivatives are part of every food product sold. When his lysine development program is threatened by viruses, he reveals to his bosses that a Japanese colleague working for a competing (but complicit) agri-giant has told him that there is a mole at ADM sabotaging the project. This brings in the FBI in the form of two sincere agents played by Scott Bakula and Joel McHale (who is having a big month, with the premiere of his weekly TV show “Community” and the long-running “Soup” on E! (I just wanted to get another ! in there)). Whitacre, faced with the FBI bugging his phones, then turns the tables on ADM and reveals to the FBI that ADM has long been involved in price-fixing.

What follows is a sadly comical series of missteps. Whitacre, played as a good-natured and naive everyman by Damon, has serious problems with telling the truth. Spending two years working undercover for the FBI can’t have helped, so that by the time the FBI is ready to spring their trap, Whitacre has managed to get himself into a spot of trouble too. The revelations of his poor decision-making, to put it kindly, produce the kind of sentiment in the audience that seeing a dog fall for the old fake-throw trick produces: rueful sympathy and a bit of annoyance with a touch of humor. Like the dog, Whitacre remains remarkably cheerful even as he gets himself deeper and deeper into trouble. At least as portrayed by Damon and Soderbergh. One can’t help but imagine that the real Whitacre was more upset. The movie is not only fascinating and entertaining, it has motivated me to find out just what really happened in the mid-1990’s with Mark Whitacre and ADM. So there.

The Great Faith Debate

Friday, September 18th, 2009

Tonight, “new atheist” Christopher Hitchens and “new apologist” Dinesh D’Souza engaged in a debate on religion at the UCF arena. According to the moderator, it was the largest crowd for such a debate to date. (I would guess about 4000-5000 people were there.) On points, D’Souza out-debated Hitchens who appeared sweaty, frequently spoke so low and rapidly to be incomprehensible, and did not take advantage of many easy rebuttals of D’Souza’s arguments. D’Souza spoke clearly and with more conviction. While his arguments were mostly tired and not convincing of anything in particular, they enthralled the majority of the audience.

The questions the debaters were supposed to address were: “What about God?”, “What about Christianity and other religions?”, and “What about science and reason?” The best point D’Souza made, in my opinion, was that Christianity is qualitatively different than other religions because it involves the descent of God to the level of man in the form of Jesus, where other religions involve the aspiration of humans to ascend to the level of God. Hitchens ignored this, probably because it is irrelevant to the question of whether or not Christianity makes any sense, and also does nothing to refute Hitchens’ argument that Christianity, like other religions, imposes odious rules on behavior (for example, we cannot choose who we love, but must love Jesus (and our neighbor) or face damnation). Another of Hitchens’ arguments on the evils of Christianity is that, like other religions, it is invoked as an excuse for a long litany of horrible deeds. I think my principle difference with Hitchens is that I think for the most part, people do evil because they are evil, not because they are religious. Frequently religion is a handy tool for evil-doers, but it is not a prerequisite.

D’Souza’s most dramatic proclamations were repeated claims that the universe, like the play Hamlet, has a plot and a design and therefore must have an author. Hitchens, in my view, failed to call him on this, going on a tangent about how one determines the identity of the author rather than refuting the ridiculous claim that the universe has a plot and a design. D’Souza also repeatedly stated that the universe is “fine-tuned” for the existence of humans, implying that there is not only a creator, but that the creator cares about our existence. Hitchens also let these easily rebutted claims go unchallenged. The fine-tuning D’Souza refers to is that if the fundamental constants of the universe are changed by small amounts, things like stars would not be possible. Any universe that ever existed or exists with those different constants therefore could not have any beings in it remarking that there must not be a creator because if there were it would not have made a universe with such lame fundamental constants. We only can exist in a universe like the one we do exist in. Astronomers have now detected hundreds of planets in our corner of the galaxy, beyond the handful in our only solar system. Of these, only one apparently is “fine-tuned” to allow life to exist. D’Souza would apparently conclude God must exist to create such a fine-tuned planet. But we can’t exist on any of the other planets. Out of hundreds (known so far), all planets but one are not fine-tuned for life. If a designer fine-tuned the universe for homo sapiens, it was a remarkably inefficient job: our little planet is a vanishingly small fraction of a universe that is, for the most part, completely inhospitable and also beyond our reach. Our primitive understanding of cosmology does not preclude (and in fact supports) an analogous situation for the universe: many may exist, and we inhabit one in which it is possible for life to exist.

But the most remarkable unchallenged argument of D’Souza was his supposed rebuttal of the “God of the gaps” argument (one not raised by Hitchens). To paraphrase D’Souza, atheists and scientists have unscientifically dismissed various discrepancies in the predictions of scientific theories, expecting them to be resolved by minor improvements in the theories. Two specific examples he gave were the failure of the Ptolemaic model of the motion of planets to accurately predict their positions, and the failure of Newtonian dynamics to explain the precession of Mercury’s orbit. In both cases, he stated with great import, a revolutionary change in the relevant scientific theories was needed to explain the discrepancies, not a small incremental change. So - the scientific method successfully explained theses discrepancies. New theories were developed that worked better than the previous ones. That’s how science is supposed to work. How exactly is a physics-based, scientific explanation for the universe and the triumph of the evidence-based scientific method supposed to be refuting a rational model of the world and supporting a faith-based one?

Questions for the Protesters

Sunday, September 13th, 2009

To those of you screaming about the rising national debt, where were you when President George W. Bush cut taxes and spent hundreds of billions of dollars invading a country that had nothing to do with the attacks of September 11 (to quote Bush himself) and posed no threat to the United States?

To those of you screaming about a government “takeover” of health care, why are you not screaming about government control of higher education in the form of state colleges and universities, government control of transportation in the form of the federal interstate system, or government control of commerce in the form of the United States Postal Service?

The cost of the Obama health care proposal is $900 billion over 10 years. $90 billion per year, or about 75 cents per day per American, so that in what I imagine you like to consider to be the greatest country on the planet, everyone has access to basic health care. Health insurance companies are out to make a profit. The way to do that is not to cover sick people. What exactly is your objection to regulations on the industry preventing them from doing that? Also, please look up the word “option.”

This morning the news clips of marchers revealed a common refrain from the protesters: “We’ve had enough” they say. Enough of what? After all, you can still buy guns, and your taxes have been cut.

Adam

Saturday, September 5th, 2009

Adam is the best movie ever because it highlights not only the Cassini mission, but my famous blue and red false-color false-image ultraviolet image of the rings (see banner of this blog) as well. But even if you take that out, it’s still a very good movie, just maybe not the best movie ever (which actually has to be Deep Impact (see “About Josh Colwell” in the blog). Okay, enough self-promotion. Adam is a young man with Asperger’s Syndrome, a mental condition in the “autism spectrum” as it is put to Beth, an elementary school teacher and neighbor of Adam’s who is considering dating him. Adam (Hugh Dancy, excellent) likes his routines. He is an amateur astronomer with encyclopedic knowledge and a lack of awareness of when to stop spouting facts in casual conversation. He designs toys for a small company, but cannot resist the urge to make them more intricate and therefore more expensive and less marketable. But they are pretty cool.

Beth (Rose Byrne, charming) is also cool. After some understandable initial hesistancy (Adam asks Beth if she was sexually aroused during their walk in the park, because he was and his “mind blindness” used to cause him to assume everyone felt the same way he does; now he just asks), Beth starts dating Adam. It is a touching love story. Adam is both intelligent and capable in some regards, and childlike and helpless in others. His inability to read emotions makes Beth wonder about the nature of the emotions he feels. If she tells him she loves him, what does that mean to him? Can she live with a man who needs to be instructed to hug her when she is sad or hurt? The movie, written and directed by Max Mayer whose previous experience was directing television and one adapted screenplay, lets their story unfold naturally. It never feels manipulative or concocted. I found both characters interesting and likable, with a believable relationship whose outcome I was nevertheless unsure about.